You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

The second retouch was made by Mal.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

Very nice! Here's my two cents.

You need to be logged in to view attachments.

 

Quote by Piedad

Very nice! Here's my two cents.

This quote contained attachments.

Source? I'd like to see the full sequence.

 

Quote by WPC

Quote by Piedad

Very nice! Here's my two cents.

This quote contained attachments.

Source? I'd like to see the full sequence.

it's from a comic called Conan the Reaver

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

Paintings about the slave trade were very popular in the 19th century. Romance, you know, and the opportunity to show nudity. And I suppose the artists themselves would not mind having a couple of slaves, in any case, sympathy for the masters of life is clearly visible in the paintings. Well, remember - every free citizen must have at least two slaves.
And the slave traders are handsome and the slaves are not very upset - on the contrary, they are well-fed, smooth.
For some reason, I especially liked the check of the teeth from the whole procedure of examining a slave before buying.

You need to be logged in to view attachments.

 

more slavery

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

You need to be logged in to view attachments.

 

lithograph by Paul Gavarni from the series "Coulisses", 1840

You need to be logged in to view attachments.

  Reply

You need to be logged in to reply.